gEORGIA O'KEEFE, Music, Pink and Blue No. 2,
1918
notes from watching, how to see more and care less: the art of georgia o'keefe, iseult gillespie, youtube video
WILLIAM MORRIS, WOVEN TAPESTRY UPHOLSTERY FURNITURE CURTAIN CUSHION FABRIC, M1781
NOTES from visiting special collections as part of the rise events, was the theme of legacy for the aah magazine so looked at books, magazines and tezts from 200+ years ago
nikoleta SEKULOVIC, the rossetti collection, VIRGINIA WOOLF, 165 x 190 cm
“But for all that there was something odd at work:
My heart is like a singing bird
Whose nest is in a water’d shoot;
My heart is like an apple tree
Whose boughs are bent with thick-set fruit—
perhaps the words of Christina Rossetti were partly responsible for the folly of the fancy—it was nothing of course but a fancy—that the lilac was shaking its flowers over the garden walls, and the brimstone butterflies were scudding hither and thither, and the dust of the pollen was in the air. A wind blew, from what quarter I know not, but it lifted the half-grown leaves so that there was a flash of silver grey in the air. It was the time between the lights when colours undergo their intensification and purples and golds burn in window-panes like the beat of an excitable heart; when for some reason the beauty of the world revealed and yet soon to perish (here I pushed into the garden, for, unwisely, the door was left open and no beadles seemed about), the beauty of the world which is so soon to perish, has two edges, one of laughter, one of anguish, cutting the heart asunder. The gardens of Fernham lay before me in the spring twilight, wild and open, and in the long grass, sprinkled and carelessly flung, were daffodils and bluebells, not orderly perhaps at the best of times, and now wind-blown and waving as they tugged at their roots. The windows of the building, curved like ships’ windows among generous waves of red brick, changed from lemon to silver under the flight of the quick spring clouds.”
— Excerpt from 'A Room of One's Own' by Virginia Woolf
nikoleta SEKULOVIC, VITA SACKVILLE WEST, 142 x 184 CM
“Days I enjoy
Days I enjoy are days when nothing happens,
When I have no engagements written on my block,
When no one comes to disturb my inward peace,
When no one comes to take me away from myself
And turn me into a patchwork, a jig-saw puzzle,
A broken mirror that once gave a whole reflection,
Being so contrived that it takes too long a time
To get myself back to myself when they have gone to.
The years are too strickly measured, and life too short
For me to afford such bits of myself to my friends.
And what have I to give my friends in the last resort?
An awkwardness, a shyness, and a scrap,
No thing that’s truly me, a bootless waste,
A waste of myself and them, for my life is mine
And theirs presumably theirs, and cannot touch.”
— Poem by Vita Sackville West
notes from Nikoleta SEKULOVIC, Rebecca HOSSACK Gallery, youtube video talking about her inspiration AND MOTIVATION FOR PAINTING
NOTES FROM A CRIT WITH KEY RESEARCH THAT WAS RECOMMENDED TO ME TO LOOK AT FOR MY WORK And ideas to forward my working
paul morrison, Psychotrope, 2013, Screenprint with embossing
paul morrison, rhizotron, 2022, polished stainless steel, 200 x 94 x 75cm
notes from Various Others Stories 2022: Paul Morrison – Catalpa at Knust Kunz Gallery hosting VAN HORN, youtube video
ASHLEY AMERY, LEMON WATERFALL, 2014 oil paint on linen
laura mulvey, visual pleasure and narrative cinemA ESSAY notes
SARAH LUCAS NOTES
Graham Sutherland ,Study for Flowers and Wasps, 1964Gouache, ink and pencil on paper
jacob epstien, ages of man, 1908
NOTES FROM Jacob Epstein's Mutilated Sculptures, Lost Art, tate video
paul nash, the Wittenham Clumps
notes from: war surrealism, and british landscapes, tate video
judy chicago, Earth Birth, Sprayed Versatex and DMC floss on fabric, 1983
judy chicago, the dinner party, installation, Ceramic, porcelain, textile, 576 × 576 in, 1974–79.
notes from Judy Chicago: Missing Histories, new museum, youtube
agnes pelton, Being. 1926
notes from Agnes Pelton and the Transcendental Painting Group | ¡COLORES! NMPBS, youtube
renoir, Woman with a Parasol in a Garden,
Thyssen-Bornemisza Museum, Madrid, 1875
max ernst research notes
Gerhard richter research notes
ugo rondine research notes, looking at his exhibition: nude in the landscape
unitom notes, looking at different books, exhibition catalogues and magazines
unitom notes continued
manchester art gallery notes
yorkshire sculpture park notes and drawings
smolensky gallery notes, looking at monica bonvicini
gallery rouge notes, looking at shaun gagg
niki de saint phalle notes
hauser and wirth gallery notes looking at avery singer
bonnie spencer research images
lisa brice research images and studies
lisa brice research notes
francis lise mcgurn research notes
antwon horfee research notes
ARTIST TALK NOTES, andrew lacon
ARTIST TALK NOTES, rachel crowther and james sibley
WHITWORTH GALLERY EXHIBITION images, material power palestinian embroidery
